The last post i made was regarding my 100 (current) favorite records (plus five more); but unless you have a whole digital database of records, you cannot bring everything with you. So of course the question becomes, if you were going somewhere for an extended period of time or were (hypothetically, perhaps) stranded in a particular location (like an island), and had a choice of only 25 pieces of physical media- records, CDs or cassettes- to carry with you, what would those be?
A few of these records have been on that list for many years, but other choices, i had to think about. Nevertheless, while not necessarily in order, here it is:
- Diana Ross- Diana (Motown, 1980)
Written, arranged and produced by the great Bernard Edwards and Nile Rogers, Diana, to me, is one of the greatest pop albums to exist on the face of the earth. Born from the legacy of R&B and maintaining its funk-laden disco roots (before it got heavily commercialized and demonized by racists, homophobes and ‘music purists’); as with every record they’ve produced, the album has its Chic stamp all over it, while simultaneously highlighting the artist’s autonomous voice.
Despite Ms. Ross having several post-Supremes albums prior to this album (all of which i actually enjoy), this was her true ‘coming out’ (no pun intended, honest) album. This was the first of her albums that was stripped of all the ‘Motown glamour’. It also was where she openly had some creative influence, as she (along with Russ Terrana) remixed the album, giving it a much cleaner sound than the original Chic mixes.
This album is like being privy to a party in Soweto, with Tony Thompson’s ‘4 on the floor’ drums, and Rogers’ percussive guitar. This has been on the desert island disc list for as long as i can remember.
2. Earth Wind & Fire- All N’ All (Columbia, 1977)
There is no way i would ever leave my favoritest ever band ever in the whole world off this list. Rooted in eternal connection between Africa and her diaspora, the album is also inspired by everything from travels to Brazil to Close Encounters Of The Third Kind.
This album is one of the aural definitions of perfection. This album is pure love.
3. Public Image Ltd.- Metal Box (Virgin, 1979)
i am about to commit the biggest punk crime of all when i say that i was never really into the Sex Pistols. i had Never Mind The Bollocks (on vinyl), but i don’t think i listened to it more than two or three times, before i got rid of it.
i found PiL, and i fell in love. While i absolutely love Public Image (aka First Issue), it was Metal Box (later issued as Second Edition) which became one of my biggest musical inspirations. With it, John Joseph Wardle (aka Jah Wobble) became one of my biggest bass inspirations as well. In fact, i had Second Edition first for a bunch of years, before i found a copy of Metal Box in an antique store some 20 or so years ago. Nothing was the same when i found that film canister.
This album was like post punk, prog, proto noise, spoken word, avant garde, dub… It was both anti-music and pro music at the same time, akin to Captain Beefheart’s brilliant Trout and Decals albums (and maybe even some Ice Cream For Crow). It was an album that could not be recreated, especially when the band never had the same incarnation for that long.
Tales of horror, death (impending or actual) and the general absurdities of existing as a human, Metal Box utilizes sound itself as part of the narrative, whether it’s tape loops, sped up, slowed down vocals, or the recipient of a locked groove (as with the Metal Box-version of ‘Swan Lake’).
4. John Coltrane- Giant Steps (Atlantic, 1960)
i don’t even know what to say, honestly. This album (especially the title track) forever changed my life. Despite being exposed to music my whole life, when i was 19 years old i heard ‘Giant Steps’ and Herbie’s ‘Maiden Voyage’, instantly i fell in love with music. They led me to understand why music was important.
Giant Steps was the calm before the ever crucial storm that was the Impulse! era. i will forever be indebted to this album for being a teacher to me.
5. Pulp- Different Class (Island, 1995)
While seemingly a mix (and continuation) of their previous albums’ themes (It, Freaks, (and especially) Separations and His N’ Hers), this is the album where i feel the band finally fine tuned their craft.
Even the cover does its job: The band, devoid of color, are pictured in a wedding scene, as if they’ve interrupted it. Pulp, in a way, disrupted pop music. i see Pulp (and Different Class in particular) in a similar way as i see the Kinks: musical underdogs that made it into the pop lexicon, who made songs about class discrepancies with a sardonic wit.
Pulling from other aspects of pop sensibilities (and riffs), Pulp utilized a dry humor (and a bit of sentimentality) to tell tales of infidelity (maybe?), intoxicated partying, poverty tourism, lost love, and the joys of new love.
(The show i saw from this tour is also, to this day, one of my favorite ever shows of all time. i remember it pouring outside all day, and Timothy Leary just passed).
6. Mission Of Burma- Signals, Calls And Marches (Ace Of Hearts, 1981)
Simultaneously angular and catchy, this is one of those albums that helped to form what i love about music today.
7. Memphis Minnie- The Best Of Memphis Minnie Vol. 1 1929 – 1938 (Blues Documents, 1982)
i have no idea why this woman is not listed in the pantheon of greatest guitarists- but now that i think about it, neither are Sister Rosetta Tharpe, Elizabeth Cotton or Maybelle Carter (or Leslie Riddle, who was a massive inspiration on Carter).
More people need to know who this woman is.
8. Bad Religion- The Empire Strikes First (Epitaph, 2004)
Bad Religion is one of my favorite ever bands of all time. This is my favorite Bad Religion album of all time. This album has one of the greatest album openers of all time. The first side of this album is a powerhouse. This album contains my favorite Bad Religion song of all time.
End of story.
9. Steel Pulse- African Holocaust (Real Authentic Sound/Sanctuary, 2004)
The band which brought inspiration for a(nother) certain hardcore band (Earth Crisis), African Holocaust is actually my favorite Steel Pulse album. This album is always going to be on time, whatever desert island we go to.
10. Metallica- St. Anger (Elektra, 2004)
i don’t even think i need to explain this one.
11. Billy Ocean- Nights (Feel Like Getting Down) (GTO/Epic. 1981)
Billy Ocean’s third, this is one of those albums that, to me, are adjacent to both Earth, Wind & Fire, and the 70s/early 80s era of Quincy Jones productions. He also was kind of a bridge between the era of UK-based funk and R&B bands like the Olympic Runners and Light Of The World, and groups/artists such as Musical Youth, Skipworth & Turner, 52nd Street, Loose Ends, Mel & Kim, and Princess.
Before the ubiquitous success of albums such as Suddenly and Love Zone… There was Nights. While it was released at what was essentially the tail-end of the ‘Disco era’; you cannot deny that these are roller skating jams.
12. Tracy Chapman- Tracy Chapman (Elektra, 1988)
i don’t care what anyone says; this is objectively, one of the greatest set of songs to ever be recorded on the face of this earth. Stylistically in the tradition of Joan Armatrading and/or Joni Mitchell before her, Chapman’s narratives are without affectation, and not a lot of metaphor. This album addresses sociopolitical injustice, the masses’ reaction to said injustice, mass consumerism/over-consumption, gender-based violence (and police neglect), class inequities, and the various shades of relationships.
13. The Jesus Lizard- Liar (Touch & Go, 1992)
The Jesus Lizard are one of my favorite bands of all time. This album has one of the greatest openers of all time. This album has my favorite Jesus Lizard song on it. There’s also cats on the cover.
That is all.
14. Wire- Pink Flag (Harvest, 1977)
i for the life of me will never understand why people consider punk bands to ‘sell out’ when they get signed by major labels. Not only did you have ‘proto-punk’ bands such as Talking Heads, Blondie, the New York Dolls and Television signed to Sire, Chrysalis, Mercury and Elektra (the same label as the MC5 and the Stooges); two bands who were considered among the most influential- the Sex Pistols (originally signed to EMI if i’m not mistaken, then got signed to Virgin/Warner Brothers (and Phonogram in Europe, and Columbia in Japan)), and Ramones (Sire, distributed by Warner Brothers).
And you had one of the greatest punk albums of all time- Pink Flag by Wire- on Harvest, the same label as Pink Floyd.
A good album is a good album, regardless of label.
15. Traffic- John Barleycorn Must Die (United Artists/Island, 1970)
An album where i always listen to side B as side A; this is the best Traffic album. Don’t sleep.
16. Crosby, Stills, Nash & Young (Dallas Taylor & Greg Reeves)- Déjà Vu (Atlantic, 1970)
Those harmonies… Those harmonies. There were also some pretty dope chord changes on this album.
i also love that bassist Greg Reeves is connected, not only as a Motown session player, but as a friend of Rick James, who played in the Mynah Birds with Neil Young. the world is not as big as we think.
17. Shonen Knife- Shonen Knife (Gasatanka/Giant, 1990)
A compilation of their earlier records (Burning Farm (1983) and 山のアッちゃん。(Yama No Attchan) (1984)), this is an example of punk’s global impact.
It’s also important to note that Shonen Knife has also consistently been a fan of cats over the years.
18. NoMeansNo- The Worldhood Of The World (As Such) (Alternative Tentacles, 1995)
Another one of my all-time favorite bands in the whole world. This album also has one of the greatest one-two punches, with ‘Joy’ and ‘Humans’. i mean, the whole album is brilliant. All of their albums are. But i had to pick one for this list!!!
19. Brian Wilson- At My Piano (Decca, 2021)
There are times where i go on Brian Wilson rabbit holes- the man is incredibly fascinating to me. There are also a few songs of his, that incredibly resonate with me.
This album (which actually includes those songs) is incredibly peaceful; and in some ways, (seemingly) despite its simplicity, adds a layer of texture, vulnerability and beauty to already well-known songs.
20. Greg Graffin- American Lesion (Atlantic, 1997)
As a fanboi of both Bad Religion and Graffin’s solo works, this one was incredibly difficult. i chose American Lesion, not only because it is one of my top 10 favorite albums of all time; but (a. it has traces of what was to come on future albums (the great Cold As The Clay and Millport, respectively), (b. it has the Bad Religion connection (with a rendition of ‘Cease’, and (c. it’s one of Graffin’s most vulnerable, personal albums, with songs i can greatly connect and identify with. For sure, it is an album i’ve cried to.
21. Goblin- Profondo Rosso (Colonna Sonora Originale Del Film) (Cinevox Record, 1975)
One of the greatest, if not the greatest, soundtracks to ever exist on the earth.
22. Teena Marie- It Must be Magic (Gordy, 1981)
One of my favorite ever artists of all time (that’s not a band); she was relegated to the R&B genre by the industry, despite her diverse influences. With that, she was always humble/grateful, and she gave as much love, respect and appreciation to the African communities who provided her just as much, as they took her in and ‘invited her to the cookout.’
She was also seen by many as ‘just a singer’, when this woman was a multi-instrumentalist, arranger, producer, and writer.
23. Buzzcocks- Singles Going Steady (I.R.S., 1979)
Perhaps the greatest name to grace a compilation, Singles Going Steady, while later being issued internationally, supposedly was originally accepted by the band to only be released in the U.S.
The band which birthed what inspired the ‘D-beat’- as the D-beat normally uses a ride cymbal, the beat which inspired it originally used a hi-hat- could also be seen as progenitors of later incarnations of emo (despite them sounding nothing alike), with its lovelorn lyrics, as well as pop punk and queercore.
i have certainly resonated with a Buzzcocks song or two (or three) at points in my life.
24. D’Angelo- Voodoo (Virgin/EMI/Cheeba Sound, 2000)
Black Messiah was among my favorite albums of 2014, but in terms of this ‘desert island discs’ list… The whole album is the epitome of dopeness, but thing that puts Voodoo on the list is its closer, ‘Africa.’
And ‘Devil’s Pie.’ And ‘Chicken Grease,’ which is the jam, even though i’m a vegan.
Let’s keep it real. Just this whole album.
25. A compilation of songs from all the System Of A Down albums (American Recordings/Columbia, 1998-2005)
i love this band, and i couldn’t choose an album. So i would make a compilation. What can i say?